Text to video with spoken dialogue
Put each line in quotes and the characters speak it across a three-shot, 15-second scene. Shown muted.
Describe a scene in plain words. The Renoise Agent writes the shot prompt, picks the model and makes the clip.
Opens in the Renoise Agent. You see the model and credit cost before anything runs.
Real model output from the prompt in the box.
Put each line in quotes and the characters speak it across a three-shot, 15-second scene. Shown muted.
Write the shots against the clock. One generation gave this 15-second trailer six hard cuts, in order.
Spell out every word in quotes. Kling 4.0 wrote NOODLE BAR, ラーメン and OPEN 24H correctly.
Name the aspect ratio and the lens look. Four sentences gave this ultrawide gallop across a steppe at sunset.
Turns one sentence into a shot prompt with timing, camera moves and sound.
Chooses among Seedance, Kling, Wan and other video models, or uses the one you name.
Every task shows its model and estimated credits before it runs.
Ask for the next shot, and the Agent joins the clips in order.
Describe the scene in plain words: who is in the shot, what happens, where, how the camera moves and what it sounds like. The Renoise Agent turns that into a timed shot prompt, picks a text-to-video model and generates a clip of up to 30 seconds, showing the credit cost before it runs.
Want to compare every video model, or start from an image? See the AI video generator.
Type who, what, where, the camera and the sound. Put dialogue and on-screen words in quotes.
The Agent shows the prompt, model and estimated credits. Change anything before it runs.
Rerun with one line changed, try another model, or ask for the next shot and join them.
Three of the models in Renoise that make video from text alone. MiniMax H3 (up to 15s, 2K), FLUX 3 Video (up to 20s), Seedance 2.0, Kling 3.0 Omni, Gemini Omni Flash and Grok Imagine Video do too. Vidu Q4 and Grok Imagine Video 1.5 need an image to start from.
| Model | Seedance 2.5 | Kling 4.0 | Wan 3.0 |
|---|---|---|---|
| Clip length | 4–30s | 3–30s | 2–30s |
| Resolution | 480p, 720p, 1080p | 720p, 1080p; 2K and 4K upscaled | 480p, 720p, 1080p |
| Aspect ratios | 21:9 to 9:16, or adaptive | 16:9, 9:16, 1:1, 21:9 | 21:9 to 9:16, or adaptive |
| Native sound | On by default | Always on | On by default |
| Good for | Long takes, dialogue, timed cuts | 21:9 shots, readable signs | Lower-cost drafts |
Source: Renoise public model API (accessed 2026-11-05).
One night-market prompt with a spoken line, run for 10 seconds on Kling 4.0 (left) and Kling 3.0 Omni (right).
Kling 4.0 kept it a night market lit by the stalls, with smoke off the grill. Kling 3.0 Omni drifted toward early-evening daylight.
Kling 3.0 Omni filled the street with big signs that read as nonsense. The motel sign in the trailer above has the same flaw; the neon alley, where every word was quoted, does not.
When a detail matters, ask the Agent to run the same prompt on a second model and keep the better take.
The four clips in the rows above came from the prompts below, unedited; the hero clip came from the prompt already in the box. They follow one pattern: who is in the shot, what happens, where, the camera, the light and the sound.
A few habits made the difference. Dialogue goes in quotes, one line per character. Shots are written against the clock (0–5s, 5–10s), which is how a single generation lands its hard cuts in order. Words that must appear on screen go in quotes too; leave a sign unspecified and the model invents letters. Ending with "No subtitles" keeps captions you did not ask for out of the frame.
The flaws are real too. In the rooftop scene the courier lost the box he was meant to hold up, the trailer's motel sign is garbled, and the 30-second long take jumps once near the 15-second mark. Rerun a shot like that, or try another model.
Dialogue · 15s · three shots
Live-action short film scene, 15 seconds, 16:9, natural daylight color, three timed shots joined by hard cuts. Completely original characters, not resembling any real person. 0–5s: Wide shot of a rooftop vegetable garden at sunrise above a dense city. An older woman in a straw hat and green apron kneels between tomato plants. A young courier in a yellow rain jacket climbs over the roof edge, out of breath, carrying a small cardboard box. 5–10s: Medium close-up of the courier holding up the box. He says: "Six floors, no elevator. This had better be worth it." 10–15s: Close-up of the woman opening the box and lifting out a tiny seedling in a clay pot. She smiles and says: "It's a lemon tree. Ask me again in ten years." Sound: city ambience, birds, light wind; both lines of dialogue clearly audible and lip-synced. No music. No subtitles, no captions, no on-screen text.
Hard cuts · 15s · six shots
A 15-second original horror movie trailer, "VACANCY". Photoreal 35mm film, cold teal night grade with a single red neon accent, heavy grain, anamorphic flares. Lead: a woman in her late 20s, Western, sleek dark bob, cream knit sweater, clean natural skin. Six HARD CUTS, each a new camera angle, no transitions: 0-1.5s: Close-up — she jolts awake in a roadside motel bed as every lamp in the room bursts on at once in a blinding white flash; she gasps. Strongest shot first, no establishing shot. 1.5-3.5s: Wide, rain-soaked empty motel at night, a red neon sign buzzing and flickering over the parking lot, one lit window. 3.5-6s: Long low corridor shot, she walks away from camera holding a flashlight; behind her, the motel room doors silently swing open one by one. 6-8.5s: Bathroom, she wipes the fogged mirror; her reflection keeps wiping one beat after she stops. 8.5-11s: Fast handheld bursts: a door handle rattling violently, her bare feet running across wet asphalt under red light, the flashlight beam whipping across the dark. 11-13.5s: Medium close-up, she backs into the elevator, panting, relieved, doors closing; a tall pale silhouette is standing perfectly still right behind her shoulder. Hard cut to pure black on the final hit. 13.5-15s: Pure black screen, silence, then one last sub-bass boom. Sound: trailer sound design only — deep sub-bass booms on every hard cut, rising metallic drone, rain, fluorescent buzz, a sharp silence right before the final hit. Original score, no melody, no voices, no dialogue. No on-screen text, no subtitles, no logos, no gore.
On-screen text · 6s
A rainy night in a narrow city alley, slow camera push-in. Glowing neon signs clearly read "NOODLE BAR" in English and "ラーメン" in Japanese, with a small sign below reading "OPEN 24H". Reflections on the wet pavement, steam rising from a food stall, a person with a clear umbrella walks past. The sign text stays sharp and legible as the camera moves. Cinematic, realistic. Sound of rain and sizzling food. Completely original characters, not resembling any existing anime, game, comic or film character.
Aspect ratio · 21:9 · 8s
Ultrawide cinematic shot. Five riders on horseback gallop across a vast golden steppe at sunset, dust trailing behind them, snow-capped mountains on the far horizon. Slow lateral tracking shot, anamorphic lens look, warm low sun. Sound of hooves and wind. Completely original characters, not resembling any existing anime, game, comic or film character.
As of October 2026, 100,000+ creators in 170+ countries and regions use Renoise AI, an AI video, image and audio platform, to generate 300,000+ images and videos with 30+ models.
Source: Renoise internal data, March–October 2026. Figures are rounded down and updated quarterly. Last updated
Real feedback from creators who use Renoise AI to make videos, images and ads.
Renoise is pretty easy to use, with a clean and smooth interface. The results from Seedance 2.5 also feel noticeably smoother in action sequences.
Renoise Ai is a good tool for making ai videos and photos. it puts several Ai models in one place, so you don't need to use many different apps.
あまりAIツールを使ったりしたことなかったですが、キャラクターの固定や動画を続いて作成できて使いやすいです。これからどんどん進んでいくアップデートが楽しみです。
Renoise has been a great platform for AI creativity. The tools are easy to use, the experience is smooth, and it makes creating content more enjoyable and efficient. I really appreciate the work the team is doing and look forward to seeing more improvements. Highly recommended!
What I like about Renoise AI compared to other platforms: Fast generation speed: Slow generation takes up way too much time, but Renoise AI is surprisingly about 30% faster. Intuitive and user-friendly UI: Cheaply made platforms have terrible UIs that make me not even want to log in, but Renoise is very clean and convenient. Remembers my previous settings: It helpfully remembers my last workspace settings. Some odd platforms force you to re-adjust everything every single time you generate a video, which is extremely frustrating. Overall preference: For all these reasons, Renoise AI is definitely my preferred platform. Thank you!
Renoise is your go to one stop all for ai creators. all view and use all models in one place, for any type of content you have your mind on!
I have a creat experience with the app. Consistent characters but also unique. THere were some issues with storyline continuity and non-typical humanoid characters.
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No. Renoise has no free plan. Chatting with the Agent costs nothing; each clip is billed in credits, and the task card shows the estimate before it runs. AI videos start from $0.34 per video. See pricing for plans.
Up to 30 seconds per clip with Seedance 2.5, Kling 4.0 and Wan 3.0. FLUX 3 Video reaches 20 seconds, MiniMax H3 15 and Gemini Omni Flash 10. A minute or more is several clips: ask the Agent for the next shot and it joins them in order.
Yes. Seedance 2.5, Kling 4.0, Wan 3.0, MiniMax H3 and FLUX 3 Video generate sound in the same pass as the picture. Write dialogue in quotes and the characters speak it. The clips on this page play muted.
It depends on the shot. For 30-second takes, dialogue and timed cuts, use Seedance 2.5. For 21:9 shots and readable signs, use Kling 4.0. For cheaper drafts, use Wan 3.0. The Agent picks one for you, or uses the model you name.
Name the subject, the action, the place, the camera, the light and the sound. Time multi-shot scenes by the second, put dialogue and on-screen words in quotes, and end with "No subtitles". More examples are in our Seedance prompt library.
Text to video invents every frame from your words. Image to video starts from a picture you upload and animates it, so the person, product or place stays as it is. For that, use image to video AI.
Yes, if you spell it out. Put the exact words in quotes and keep them short: Kling 4.0 wrote an English and a Japanese sign correctly. Signs the prompt does not specify usually come out as invented letters.
Yes. Paste the script and ask the Agent to break it into shots. It writes a prompt for each shot, generates them one by one with the cost shown first, and joins the clips in order. Everything is generated footage, not stock clips.
No celebrities, public figures or minors. A real person’s face needs likeness rights, such as your own or someone who agreed in writing, and local laws apply. The characters on this page are original and generated from text.
The Agent picks the model and shows the cost before it runs.